"This volume is a valuable source of new insights by those committed to working in the area of Sinophone cinemas. The lucid presentation of the subject makes it a perfect choice for classroom use." - Gina Marchetti, University of Hong Kong

"Sinophone" cultures, a theoretical framework pioneered by the scholar Shu-mei Shih as a long-overdue alternative to the discourses of "Chinese" and "Chinese diaspora" that have traditionally defined Chinese Studies, has taken the field by storm, providing a rich theoretical rubric for examining the diverse origins and audiences for cultural production related to Chinese people...(展开全部)

"Sinophone" cultures, a theoretical framework pioneered by the scholar Shu-mei Shih as a long-overdue alternative to the discourses of "Chinese" and "Chinese diaspora" that have traditionally defined Chinese Studies, has taken the field by storm, providing a rich theoretical rubric for examining the diverse origins and audiences for cultural production related to Chinese people...(展开全部)

With the increasing popularity of the Chinese film industry, a large amount of foreign captial has been invested in the productions. Internationalization on this scale at both the production and consumption levels has raised the question of what constitutes "Chinese cinema". In this book the authors discuss the central topic of a national cinema and analyze the emergence of "tr...(展开全部)

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenge...(展开全部)

This definitive anthology casts Sinophone studies as the study of Sinitic-language cultures born of colonial and postcolonial influences. Essays by such authors as Rey Chow, Ha Jin, Leo Ou-fan Lee, Ien Ang, Wei-ming Tu, and David Wang address debates concerning the nature of Chineseness while introducing readers to essential readings in Tibetan, Malaysian, Taiwanese, French, Ca...(展开全部)

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenge...(展开全部)

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)

Sinophone studies—the study of Sinitic-language cultures and communities around the world—has become increasingly interdisciplinary over the past decade. Today, it spans not only literary studies and cinema studies but also history, anthropology, musicology, linguistics, art history, and dance. More and more, it is in conversation with fields such as postcolonial studies, settl...(展开全部)

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emer...(展开全部)